top of page

Art Turning Left: How Values Changed Making 1789-2013

El Lissitzky, Sportsmen (Sportier) 1923 Lithograph on paper. El Lissitzky was an artist and designer who was active in communist Russia in the 1920’s, when avant-garde artists sought to produce art with a socially useful purpose. He saw his abstract Supremacist works as models for a utopian world. Image courtesy of Tate.

Grupa Zvono (Bell Group), Art and Soccer, 1986 The Zvono Group, active in the 1980’s in Yugoslavia, staged art actions in public places in Sarajevo, taking their paintings and performances to the public on the street and at sporting events. Like many left-wing artists they sought to engage directly with ordinary people, rather than produce art for a wealthy elite. Photograph: © ZVONO

Guerrilla Girls, 1985–90. Poster. Guerilla Girls is a group of women artists and feminists who campaign against sexism and racism in the art world. The Guerrilla Girls formed in New York in 1985 in response to the MOMA exhibition "An International Survey of Recent Painting and Sculpture", where there were only 13 women artists compared to 166 men represented in the show. Image © www.guerrillagirls.com

Atelier Populaire, Debut d'une Lutte Prolongee, (Start of a Prolonged Struggle), Poster. 1968. The Atelier Populaire was a group of left-wing artist/activists who produced posters during the popular uprising in France in May 1968. This poster shows a factory occupied by the workers. At its height, the Mai’ 68 events saw 11 million workers on strike, President De Gaulle fleeing the country and the National Assembly dissolved. Eventually troops were sent in, workers went back to work, and order wa

Braco Dimitrijevic, Casual Passer-by I met at 1.43 PM, Venice, 1976. During the 1970’s the Jugoslav artist Dimitrijevic took photos of ordinary people in the street, which he blew up into massive portraits displayed on public buildings and billboards. He is celebrating the ordinary person as being as important as figures from history, and in so democratising art & challenging the value of celebrity. Photograph: Sam Drake/Courtesy of the Tate.

Cildo Meireles (1).jpg

Cildo Meireles (1).jpg

Cildo Meireles, Insertions into Ideological Circuits: Coca-Cola Project, 1970. Meireles is a leading conceptual artist famous for printing instructions on making a petrol-bomb onto Coke bottles, which he sent back for refilling and redistribution by the beverage company. He used the company’s own distribution system to send his “Yankee Go Home” message across Brazil. Photograph: Cildo Meireles.

Jacques-Louis David, The Death of Marat, 1793. One of the earliest pieces of left-wing art, painted during the French Revolution, this painting was intended to promote Marat as a revolutionary hero and martyr. Several copies were made which toured France spreading the message; an early example of propaganda art. Photograph: Courtesy of Musée des Beaux Arts, Paris.

Marianne Brandt, Desk Lamp, 1928. Brandt was a Bauhaus artist and designer, who designed numerous lamps and tea-sets for mass-production. The philosophy of the Bauhaus was socialist, in that it wanted to democratise art, and bring functional design to the masses. Photograph: Gunter Lepkowski/© DACS/Bauhaus-Archiv Berlin

Until 2 February 2014

Tate Liverpool

 

Art Turning Left looks at how left wing values have shaped art from the French Revolution up until today.

The exhibition focuses less on the overt political messages of art, and more on how left-wing artists have shaped their work and practices guided by the beliefs. The art addresses issues of gender, equality, community involvement and activism, how art is distributed, the interaction of art and life, collective authorship and more. The exhibition is as much about ideas, as it is about the objects on display.

 

 

 

 

The exhibition covers 200 years of history of left-wing art, and has exhibits from Britain, France, Germany, Bosnia, Brazil, Russia, the USA and other countries. Exhibits include work by Atelier Populaire, Guy Dubord, Jeremy Deller, Braco Dimitrijevic, Walter Gropius, László Moholy-Nagy, William Morris, and Zvono Group; an eclectic mix for sure!

Also showing at Tate Liverpool is a display of archival material from Palle Nielsen’s social experiment The Model – A Model for a Qualitative Society 1968, where the Danish artist converted the Moderna Museet in Stockholm into an adventure playground in order to observe children and present viewers with the opportunity to visualise a more equal society. Tate Liverpool presents a comprehensive collection of photos, recordings and documents from this unique event.

 

Address: Tate Liverpool, Albert Dock, Liverpool Waterfront, L3 4BB.

 

Opening Times: 10am-5pm daily. Last entrance to exhibition is at 4pm.

 

Admission: Free admission to Tate Liverpool and certain exhibitions.

Admission to “Art Turning Left” is adults £8.80. Senior citizen, disabled, students, job seekers, and 12-18 year olds - £6.00.

 

For more information:

www.tate.org.uk/visit/tate-liverpool

 

The art addresses issues of gender, equality, community involvement and activism, how art is distributed, the interaction of art and life, collective authorship and more...
bottom of page